05.30.07 :: Dead End ::
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But could it be the real deal? Are they the smoking gun images
we've all been waiting for?
I'm going to say no. I've spent my fair share of time studying
the pictures and, while I may not be an expert when it comes to
digital photography, something just doesn't seem right to me.
As far as I could find out, the pictures first appeared on Coast
to Coast AM's website in the usually lifeless listener's email
section. At minimum, I'm at least happy to see that the listener
submitted pictures may be making a comeback to the glory days of
ArtBell.com--back to when I would actually get honest to
goodness scared while scrolling through them. If you haven't had
the chance to study them for yourself, they can be viewed at the
link below:
http://www.coasttocoastam.com/gen/page2022.html?theme=light
It didn't take long after they were posted before George Noory
brought them up on his show--inviting on various guests and
opening up the lines to callers to get their opinions on whether
or not they thought they were authentic or the product of
skilled Photoshopping. Even Linda Moulton Howe of
EarthFiles.com fame got in on the action. As usual, she
brought out all of the big guns, going so far as to post images
supplied to her of a NASA-designed experimental engine
prototype--hinting that the drone (if that's what it really is,
or is even really real) may be Earthly in origin.
You know when you watch a movie that uses an abundance of CGI
and, no matter how hi-tech the effects may have been at the
time, you can always seem to pick out what's real and what's
computer animated? Well, that's how I feel when I look at these
images. Let me use The Matrix Reloaded as an example (I'm sure
most people interested enough to read The K-Files has seen it),
when Neo is fighting all of the Agent Smiths, it's pretty easy
to spot when the real Keanu Reeves turns to CGI Reeves. Although
the effects on that movie were top-notch for the time, the
wonderful human eye has a knack for spotting things that are
fake. The differences are small--slight color differences,
unnatural movements, and the like--but when added up, they
become pretty apparent.
So let's take a look at what seems out of place to me:
First off, the coloring. The craft seems to pop off the page in
two of the shots. Although its highlighting and shadowing
appears to fit with the light source pretty closely, it has just
enough boldness to look 'placed' on the background. A well
hidden one, but a copy/paste job nonetheless.
Next, the scale. This one is the most telling to me that the
images are most likely a hoax. According to the email submitted
along with them on the Coast to Coast AM website, photographer
"Chad" describes the craft as "very large." I don't know about
the rest of you, but the thing looks pretty small to me. Maybe
about four to five feet long at the most, and hardly not 'large'
by any means. When working with copy/paste jobs or perhaps even
model work (as the last two images lead me to believe that this
craft exists in some solid form, and is not computer generated),
scale is a hard one to nail down. If it were just floating up in
the sky it may have been harder to spot, but the way it's
positioned behind a set of foreground shrubbery yet in front of
a background tree-line gives it away. No longer how long I
examine that photo, I can't get my brain to accept it as real.
Finally, the other big tell that this is probably a hoax is the
photographer's follow up comments. It'd be one thing saying that
he saw this strange craft once and was able to get a few shots
of it before it flew away, but it's something entirely different
when you start adding in backstory about it giving you
headaches, claiming it appears semi-regularly, and claim several
people have witnessed it. There's a saying about things that are
too good to be true.
Speaking of which, "too good to be true" has been used to
describe another set of eerily clear UFO photos. I'm speaking of
course of the notorious Billy Meier 'Beamship' photographs of
the 1970's. Everyone seems to demand clear UFO images for them
to be entered in as evidence in the case for extraterrestrial
visitation, yet it's that almost unnatural clarity that did him
in. Again, as with these recent drone images, Billy Meier's
pictures simply didn't feel right. No matter how long they were
studied, there was always that little filling in the back of
your mind telling you that it can't be real.
If you're looking for a point to this week's column, well, here
we go. It's a sad state of affairs for Ufology when so much time
and attention is given to a set of emailed photos that simply
cannot be legit. Granted not all of the bigwigs of Ufology got
involved, but the fact Linda Howe devoted as many resources to
the story as she did speaks wonders. Not only to Ufology as a
whole, but to her career as well.
If we don't get another Phoenix Lights soon, we'll all be doomed
to an existence of judging Photoshop competency. And I, for one,
don't find that all too appealing.